Your Company Logo Here

Organiser: (0118) 947 2460

Reading Action on Continuing Education

Courses for 2009/10

Already a number of tutors are making arrangements to carry forward classes into 2009/10. This page is for news of what’s happening. We hope it will grow and grow (and it has been), and eventually there will be an organisation to make all this easier for students and tutors (and there are positive developments here too). In the meantime, if you are a tutor and haven’t yet told us of a course you may offer in 2009/10, please tell us. There is a form here to help you give us basic details.

List of courses proposed Version 13

(In alphabetical order of first name of tutor)

Allison McVety POETRY IN THE MAKING

Alison Moody- courses for improvers in English

Anthony Short- Discovering the Symphony

Chris Skidmore- Singing from scratch

Chris Skidmore- Performing madrigals

Chris Skidmore- Lunchtime choir

Dalila Castelijn MASTERPIECES OF SPANISH ART

Dalila Castelijn- Masterpieces of Netherlandish art

Dalila Castelijn- Between East and West- 6 centuries of Venetian art and architecture

Dalila Castelijn- Mosaics (day school)

Diana Matthews- Rome: the art treasures of the palaces and villas

Diana Matthews-  Churches of Venice: hidden jewels of the great churches

Douai Abbey TBA

Douai Abbey- St Paul’s Epistle to the Romans

Gill Hall- Animated Film (From Disney to Ghibli) 

Gill Smith- probably three courses, TBA

Glenis Kerr Elliott- Introduction to Scottish art and architecture

Glenis Kerr Elliott- 18th century Grand Tourists

Glenis Kerr Elliott- Horace Walpole and Strawberry Hill (day school)

Jill Swale- Let's Think Again (Saturday school)

John Barnes- Joy of Geometry 

Judy Still- Australian History

Kate Noakes- The Laureates

Kate Noakes- Contemporary British Women’s Poetry

Kerry Renshaw- Behaving badly - sex, madness and drunkenness in the 19th century

Kerry Renshaw- Hollywood cinema from its origins to the 1930s

Kerry Renshaw- Rebellious women - female social and political heroines of the 19th/early 20th centuries

Kerry Renshaw- Great Victorian Prime Ministers

Kerry Renshaw- Great Victorian Reformers

Magdalena Olmos- Psychology of Happiness        

Magdalena Olmos- Stress and Stress Management

Magdalena Olmos- Psychology in Everyday Life: Successful Relationships

Magdalena Olmos- Coaching people towards success (Saturday schools)

Paola Gotti- Italian (details tba)

Penny Billyeald- the Importance of Being Oscar

Penny Hunter- Reading Literary Lions

Roger Facer- Modern History tba

Robert Pitts- An Introduction to Roman Pottery

Robert Pitts- Samian Pottery Dayschool

Roger Nuttall- Human Physiology tba

Roger Nuttall- Geology tba

Roger Nuttall- Art and Vision tba

Roger Nuttall- Gardening tba

Sandra Smith- British Master Drawings

Sandra Smith- Turner in Context

Sandra Smith- Movements in Modern Art

Sandra Smith- The Glorious Baroque

Sara Gonzalez- Arts and Artefacts of Pre-Columbian America

Sara Gonzalez- Great Exhibitions: 1851 to the present

Dr. Sudeshna Basu- Bringing fossils to life: an introduction to Palaeontology

Dr. Sudeshna Basu- ‘Diamonds are forever' - A geologist's perspective

Dr. Sudeshna Basu- Learning to date rocks fossils, sediments

Susan Utting- FINDING THE WORDS Poetry Writing Workshop Series

Thames Valley Ancient Egypt Society- three study days

Thames Valley Ancient Egypt Society- three evening classes

Val Pretlove- City of London 1901-1939

Dr Wendy Bird - History of Art

Details of Courses

Allison McVety POETRY IN THE MAKING

Have you ever wanted to write a poem but didn't know where to start or perhaps wanted to take a closer look at contemporary poetry? Well this course will get you started, as week by week we will look at a wide selection of work from contemporary poets and use what we learn to help us begin to write poems of our own. In edition we will consider the poets toolbox: form, metre, rhyme and free verse and we will look at some editing techniques to improve our writing.

Allison has an MA in Poetry from Royal Holloway, University of London.  Allison's debut collection, "The Night Trotsky Came to Stay" was published by Smith/Doorstop in October 2007 and was shortlisted for the Forward Best First Collection Prize. Her second collection will be published in the autumn.

Place and date tba. Contact (spelled out) mac at melmac dot co dot uk

Alison Moody- courses for improvers in English

In 2008/9 Alison taught courses on “Improving English pronunciation”, “Advanced English-

Anthony Short- Discovering the Symphony

Have you ever wondered how the symphony developed to become the pre-eminent orchestral medium? Was its growth during the nineteenth century a result of inevitable musical evolution, or was it a mere accident?

Deriving from the Greek for ‘sounding together’, the word ‘symphony’, is patently unhelpful in helping us to understand the essential nature of the genre. Nothing in its name explains how the symphony came to be understood as a work of several contrasted movements. So how did the symphony rise to become the supreme form of orchestral expression in the late eighteenth century, contending with opera for musical pride of place?

This ten-week course will investigate the development of the symphony from its earliest days to the present, showing how Haydn, Mozart and Beethoven changed its balance in such a way that it is impossible to imagine the course of musical culture without them. It will also take us through the Romantic period, when the symphony grew in size, and on into the twentieth century when it enjoyed a new lease of life.

The course will challenge the notion that Haydn was the ‘Father of the Symphony’, and it will also challenge the mistaken idea that there is something sacrosanct about symphonic form. Webern’s ten-minute Symphony for nine instruments, for example, or Sibelius’s single-movement Seventh Symphony are just as ‘correct’ as the large symphonies of Mahler or Shostakovich.

The death of the symphony has been announced many times, yet it always bounces back, changed and newly invigorated. Will this trend continue, and how is our modern lifestyle reflected in the way we listen to a symphony?

Come and discover the answers to these questions and many others by signing up to ‘Discovering the Symphony’.

Anthony Short, who studied at Leeds University and the Guildhall School of Music and Drama, is a professional violinist, writer and literary editor. He works with major symphony and chamber orchestras throughout Britain and Ireland, and is also leader of the Richmond String Quartet. He has written numerous articles for the principal European record companies and the BBC, and is an editor for Naxos Books.

 

Spring term 2010. Tbc  Contect (spelled out) tonyshort at madasafish dot com.

Chris Skidmore- Singing from scratch

This popular course allows those who think, or have been told, that they can't sing to explore their voices in an open and non-threatening environment and to discover that they can enjoy singing!

Chris Skidmore- Performing madrigals

A madrigal group is likely to continue into the new session for those who like to sing this repertoire in a smaller group. 

Chris Skidmore- Lunchtime choir

The choir which has been running since 2005 and is now on a Wednesday at 12.00 noon until 13.30 will continue in existence into the new session.  It is likely to take place at Park United Reformed Church on the Wokingham Road.  Everyone who is interested in enjoying singing a wide range of accessible music is welcome.

Dalila Castelijn MASTERPIECES OF SPANISH ART

The 17th century is called the Golden Age of Spanish painting. This subject will be explored through the close examination of works by masters such as El Greco, Velazquez, Zurbaran and Murillo. The course is linked with the National Gallery exhibition: The Sacred made real, Spanish Painting and Sculpture 1600-1700.

Date and venue to be announced. Email (spelled out)  dcastelijn at yahoo dot com

Dalila Castelijn- Masterpieces of Netherlandish art

The 10 weeks course provides an introduction to works made by Van Eyck, Rogier van der Weyden, Bouts and Memling for the splendid Burgundian court, wealthy merchants and pious confraternities in 15th century Flanders. Spring 2010. Venue to be announced. Email (spelled out)  dcastelijn at yahoo dot com

Dalila Castelijn- Between East and West- 6 centuries of Venetian art and architecture

Venice’s location between western Europe and the East produced its distinctive  art and architecture. The course provides an introduction to the subject from its origins in Torcello’s cathedral to Palladio’s churches and Veronese’s paintings.  

The course aims to examine Venetian art works and assess the ways in which they were influenced in content and function by the city’s links with Northern Europe, Italy and the East.

Early in its history Venice saw itself as heir to Byzantium while forging trade links with both Northern Europe and the East. We shall consider how Torcello’s mosaics, the church of St Mark,  the Doge’s Palace and 14th century panel paintings were influenced by such links. By the 15th century Venice was also strengthening its position within Italy. Bellini’s paintings and Codussi’s palaces are typical of the meeting of Eastern and Western traditions. The course will also assess the ways in which great 16th century masters responded to various artistic influences: Giorgione and Titian, Sansovino and Palladio, Veronese and Tintoretto are among the artists whose work will be studied in terms of style, subject matter and function.

Seven week course, Summer 2010. Venue to be announced. Email (spelled out)  dcastelijn at yahoo dot com

Dalila Castelijn- Mosaics

Day school, spring term. Precise date and venue to be announced. Email (spelled out)  dcastelijn at yahoo dot com

Diana Matthews- Rome: the art treasures of the palaces and villas

This is the third part of a course on Buildings in Rome, but each part is entirely free standing and we welcome new students. Autumn term 2009 10 weeks (2 hour sessions), venue tba. Phone 0118 958 2108.

Diana Matthews-  Churches of Venice: hidden jewels of the great churches

Spring term 2010, venue tba.  Phone 0118 958 2108.

Douai Abbey – details to follow

The Fathers at Douai Abbey will continue to offer a variety of courses, Saturday schools, and other events at the abbey in 2009/10- more details here. They were planning a course in Reading for the Short Course programme for 2009/10, and will consider offering it in Reading if suitable arrangements are offered.

Douai Abbey- St Paul’s Epistle to the Romans

Meanwhile, a first dayschool, on St Paul's Epistle to the Romans is now fixed to take place at Douai Abbey on Saturday October 24.

Details at  www.douaiabbey/org/uk/pastprog2.htm#9109

Gill Hall- Animated Film (From Disney to Ghibli)

Animated films are hugely popular, reaching wider audiences than ever before. Often billed as family entertainment, the best are complex and beautiful works. They can also contain serious social comment. We shall delve into the making, meaning, and marketing of these fascinating films. Summer term 2010 Wednesday evenings. Email (spelled out) hallsub at aol dot com

Gill Smith- probably three courses, TBA

Gill is interested in offering courses in 2009/10. In 2008/9 she offered a short course each term, and a day school. Her courses were “Scripts made simple”, “Get confident with comedy”, and “Writing articles- put it in words”, all offered in the evening. For more of what Gill does, and to pick up contact details, see her website www.gillsmith.co.uk.

Glenis Kerr Elliott- Introduction to Scottish art and architecture

This course aims to increase awareness of Scottish art and architecture by drawing attention to artists and architects from the country from 15th to 21st centuries.  The course will cover the instantly recognisable styles of Robert Adam and Charles Rennie Mackintosh. portraits by Raeburn, genre pictures by Wilkie, landscapes by McTaggart. The work of contemporary artists and architects will also be explored. Spring Term, 10 x 2 hour sessions, venue and time tba. Contact email ((spelled out) glenis dot kerrelliott at gmail dot com

Glenis Kerr Elliott- 18th century Grand Tourists

This course aims to show the lasting cultural significance of the Grand Tour.  We will meet young bloods on their "gap year", and will follow the tourists through Italy to Florence, Rome, Naples and Venice.  They collected portraits and ancient sculpture and ideas for building new houses  in the Palladian style. Autumn Term, 10  x 2 hour sessions. Venue and time tba. Contact email ((spelled out) glenis dot kerrelliott at gmail dot com

Glenis Kerr Elliott- Horace Walpole and Strawberry Hill (day school)

Walpole was the most important English collector of the eighteenth century and created a delightful house by the Thames.  Strawberry Hill - Walpole's "little Gothic castle" - is due to reopen following restoration in summer 2010.  There will be an exhibition at the Victoria and Albert Museum to coincide with this.  Summer Term, day school, 4 x 1 hour, date and venue tba.  Contact email (spelled out) glenis dot kerrelliott at gmail dot com

Jill Swale- Thinking skills (Saturday school)

This course enables students to experience the different types of thinking currently being taught in schools and used for creative thinking and decision making in go-ahead businesses. Through thought-provoking and fun activities you will explore these techniques and, hopefully, want to use some of them in your daily life afterwards.

We shall explore Critical Thinking, looking for flaws in arguments and learning some of their names, such as tu quoque and slippery slope. We shall look at conflicting accounts of an event or situation, using various criteria to judge which one is likely to be closer to the truth. In addition, at a level suitable for beginners, we shall apply moral reasoning to a contemporary dilemma, considering, for example, whether to prioritise the good of the majority or the human rights of a minority. Issues in the news at the time of the class will be examined using these thinking tools.

Have you heard school students talking about critical thinking but been unsure what it is? It can help you think more clearly about issues in the news and contemporary moral dilemmas. Could you use de Bono decision making techniques to help you choose a holiday or creative thinking strategies to generate good ideas? Come along to explore these fascinating ways of thinking!

Saturday school November 2009. Suggested 14 Nov or 28 Nov 09 or 30  Jan 2010. Precise date and venue tba. Contact email (spelled out) jillswale at ntlworld dot com.

John Barnes- Joy of Geometry

John is hoping to repeat his popular Joy of Geometry course next spring. Venue to be decided. He would welcome to hear from potential attendees. Email (again spelled out to confuse spammers) is jgpb at jbinfo dot demon dot co dot uk.

Judy Still- Australian History

Judy is willing to repeat her course of summer 2009- “From convicts to Neighbours- a brief history of Australia.

Kate Noakes- The Laureates

A ten week survey course looking at selected work of Laureates new and old, not focussed on royal commissions. It will include time to write poems in response to or prompted by those being studied. Date and location tba. Contact Kate on (spelled out) kate dot noakes at googlemail dot com

Kate Noakes- Contemporary British Women’s Poetry

Contemporary British Women's Poetry - a ten week introductory course looking at the work of contemporary women poets such as Carol Ann Duffy, Gillian Clarke, Maura Dooley, Liz Lochhead and others. It will include time to write poems in response to or prompted by those being studied. Date and location tba. Contact Kate on (spelled out) kate dot noakes at googlemail dot com

Kerry Renshaw- Behaving badly - sex, madness and drunkenness in the 19th century

8 weeks x 2 hours, Date and time tba. Contact Kerry on 0118 926 8562.

Kerry Renshaw- Hollywood cinema from its origins to the 1930s

10 weeks x 2 hours, Date and time tba. Contact Kerry on 0118 926 8562.

Kerry Renshaw- Rebellious women - female social and political heroines of the 19th/early 20th centuries

6 weeks x 2 hours, Date and time tba. Contact Kerry on 0118 926 8562.

Kerry Renshaw- Great Victorian Prime Ministers

6 weeks x 2 hours, Date and time tba. Contact Kerry on 0118 926 8562.

Kerry Renshaw- Great Victorian Reformers

6 weeks x 2 hours, Date and time tba. Contact Kerry on 0118 926 8562.

Magdalena Olmos- Psychology of Happiness  

Two Saturday schools between 10.00am -4.30pm on 17 Oct 2009 and 24 Oct 2009. Location tba. Contact Magdalena on (spelled out) magdalenaolmos at btinternet dot com.   

Magdalena Olmos- Stress and Stress Management

Two Saturday schools between 10.00am -4.30pm on 7 Nov 2009  and 14 Nov 2009. Location tba. Contact Magdalena on (spelled out) magdalenaolmos at btinternet dot com.   

Magdalena Olmos- Psychology in Everyday Life: Successful Relationships

Two Saturday schools between 10.00am-4.30pm on 21 Nov 2009 and 28 Nov 2009. Location tba. Contact Magdalena on (spelled out) magdalenaolmos at btinternet dot com.   

Magdalena Olmos- Coaching people towards success (Saturday schools)

Coaching people towards success has become a very popular profession these days.  Find out if you can do it yourself through self-discovery.  You will learn the basic principles of coachin,  including the GROW model, the laws that govern success and the techniques which lead to greater self- awareness.'' Saturday schools 16th and 23rd January 2010 10am-4:30pm, venue tba. Contact Magdalena on (spelled out) magdalenaolmos at btinternet dot com.

Paola Gotti- Italian (details tba)

In 2008/9 Paola has run Italian 1, Italian 2, and Italiano pratico for advanced students). She intends to provide similar and continuation courses in 2009/10, and perhaps more. Email (spelled out) p dot gotti at reading dot ac dot uk.

Penny Billyeald- the Importance of Being Oscar

Penny envisage 10 x  2 hour sessions on the work of Oscar Wilde Autumn 2009 or Spring 2010. Venue to be decided. Email (spelled out) pvpbillyeald at btinternet dot com.

Penny Hunter- Reading Literary Lions

This new group will meet once a week for 10 weeks from 8 October at RISC on London Street, Reading. The group replaces the long running Thursday morning Contemporary Literature course and will continue to read and discuss contemporary writers.

The theme for the autumn is 'a window on the world' and the books in reading order are:

1. John Berger, From A to X, A story in Letters, Verso Books, April 2009

2. Sebastian Barry, The Secret Scripture, Faber & Faber, 2009, £7.99

3. Berhnhard Schlink, Homecoming, Phoenix, 2009, £7.99

4. Rachel Cusk, Arlington Park, Faber & Faber, 2007, £7.99 

The cost of the course will be £50 payable in advance to me, Penny Hunter. Please contact me for further details either via email or by phone. Email (spelled out to confuse spammers) is rll at pennyhunter dot me dot uk

Robert Pitts- An Introduction to Roman Pottery

2.5hrs per week for 7 weeks. Date spring or summer 2010- precise date tba. Phone 07768107070. Email (spelled out) r dot a dot pitts at reading dot ac dot uk

Robert Pitts- Samian Pottery Dayschool

November 2009- precise date tba. Phone 07768107070. Email (spelled out) r dot a dot pitts at reading dot ac dot uk

Roger Facer- Modern History tba

Roger Facer has taught nineteenth and twentieth century history at the University of Reading for the past seven years. He is a former civil servant who, on retirement, studied history as a mature student with the Open University and at Royal Holloway College. He has a special interest in the causes of major wars.

Roger Nuttall- Human Physiology

Details tba.

Roger Nuttall- Geology

Details tba.

Roger Nuttall- Art and Vision

Details tba.

Roger Nuttall- Gardening

Details tba.

Sandra Smith- British Master Drawings

Sandra is running a day school originally planned for Cont Ed at Reading Museum on Saturday 17th October. The subject will be British Master Drawings, to complement that exhibit at the Museum, and the day school will take place somewhere in the museum - venue to be confirmed.  The day school will cost a very competitive £15!!  Further information is available from Reading Museum, both web site and printed information.

Sandra Smith- Turner in Context

A 10 week course on JMW Turner to complement a major exhibition, Turner and the Masters at Tate Britain in the autumn. Autumn 2009. Email (spelled out) sansmithuk at googlemail dot com

Sandra Smith- Movements in Modern Art

A 10 week course exploring some of the major and some of the lesser understood avant garde groups producing art in the 20th Century. Spring 2010. Email (spelled out) sansmithuk at googlemail dot com

Sandra Smith- The Glorious Baroque

A 7 week course to study some of the major monuments of 17th century art to include in depth looks at Caravaggio, Bernini and Velazquez. Summer 2010. Email (spelled out) sansmithuk at googlemail dot com

Sara Gonzalez- Arts and Artefacts of Pre-Columbian America

Sara had planned to offer this 10-week course on Monday afternoons in Autumn term 2009, but will respond to demand. Venue to be decided. Email (spelled out) gonzalezcass at googlemail dot com.

Course details:

This course explores the rich and varied cultural production of pre-hispanic central and south America, which reveals great sophistication and profound symbolism. We will mainly focus on the Maya, Aztec and Inca cultures, but, instead of relying on a traditional chronological division, we will look at a series of topics which are common to the arts and artefacts of pre-columbian peoples, like the use of erotic scenes in ceramics, stonework and metals; the symbolic attributions of gold, silver and precious stones; the adornment of mummies as live and prominent members of the society; the political symbolism of textile abstract and figurative patterns; the artistic representation of human sacrifice; the animal/human hybridism of shamanic scenes; the cosmological implications of the American temple; the mystery of the Nazca lines, and the depiction of the underworld. Venue to be decided. Email (spelled out) gonzalezcass at googlemail dot com.

Sara Gonzalez- Great Exhibitions: 1851 to the present

Sara had planned to offer this 10-week course on Tuesday afternoons in Spring term 2010, but will respond to demand. Venue to be decided. Email (spelled out) gonzalezcass at googlemail dot com.

This aim of this course is to examine the relationship between art, technology and cultural identities in the context of the world's fairs. In a series of case studies we will analyze issues of cultural exchange in the arts, the ambiguity of the permanent and the temporary in monumental architecture, the dialogue between old and new materials, and how traditional and avant-garde art are displayed and mobilized to define a particular society's self image. The course will offer insights on modern values from industrialization to ecology; from exoticism to global village.

Course details:

World's fairs, on one hand, served as important sites in the production of scientific knowledge, as they facilitated crucial forms of exchange. In this respect, we will study how, till the 1960s, their design and conception reflected the idea of progress, the world of tomorrow. On the other hand, these events often contributed to promote the legitimacy of colonialism by presenting 'human exhibits' from 'uncivilized' subjugated lands together with their 'inferior' cultural production. We will discuss the idea of the 'exotic' in the context of these events, and how art is used by the different societies to represent themselves and to exchange ideas. We will also examine the impact of political events on the aim and the scope of universal expositions, together with the growing concern with ecology and sustainable development. This last issue was best represented in Aichi 2005's pavilions, built out of recycled and recyclable materials and best testimony of the ephemeral nature of such celebrations. Examples of fairs to be studied are London 1851, Paris 1889, St Louis 1904, San Francisco 1915, Paris 1925, Chicago 1933, Paris 1937, New York 1939-40, Brussels 1958, Seatle 1962, Seville 1992 and Aichi 2005.

Dr. Sudeshna Basu- Bringing fossils to life: an introduction to Palaeontology

Duration 10 weeks (2 hours per week; - Any week day evening from Monday to Thursday).  Probably Spring 2010. Contact Dr Basu on 0118 921 0218

Dr. Sudeshna Basu- ‘Diamonds are forever' - A geologist's perspective

Day school, winter 2009. Date tba. Contact Dr Basu on 0118 921 0218

Dr. Sudeshna Basu- Learning to date rocks fossils, sediments

Learning to date rocks fossils, sediments. Spring or summer 2010. Duration 7/10 weeks  (2/ 2.5 hours per week). Contact Dr Basu on 0118 921 0218

Susan Utting- FINDING THE WORDS Poetry Writing Workshop Series

A ten-week course of inspiring ideas, examples and writing exercises to help us "find the words" to shape into new poems.

To be held each Thursday morning, 10am - 12 noon starting 1st October 2009 at Reading International Solidarity Centre, London Street, Reading (Room 1, above the Global Cafe).

Contact Telephone/Mobile: 0118 978 6678/ 07986 620454

Thames Valley Ancient Egypt Society- three study days

The New Kingdom Way of Death. Dr Aidan Dodson. This course aims to give students an understanding of the funerary archaeology of the ancient Egyptian New Kingdom (c. 1545–1065 BC). It will take a broad view of the topic and will demonstrate the close conceptual links between royal and private practice during the period. The day will have two principal foci, the architecture and decoration of the funerary monuments themselves and the contents of their subterranean chambers, exploring developments throughout the period. Location: Reading RISC. Date: 28 Nov 2009. For booking arrangements see: www.tvaes.org.uk

Mummification in Ancient Egypt: Methods and Messages - Joyce Filer.

Have you ever wondered why the ancient Egyptians adopted and maintained mummification?  Have you always wanted to know how they made these mummies?  Also what lessons about Ancient Egyptian society and its members health and living conditions can we learn from investigating these mummies?, These and other intriguing questions will be answered in this fascinating, fully illustrated day school.
Using unique information from archaeological excavations and  modern technological examinations we will explore the ancient Egyptian embalming process and the remains it has left us. Location: Reading RISC. Date: 30 Jan 2010. For booking arrangements see: www.tvaes.org.uk

An Invitation to an Ancient Egyptian Celebration.  Celia Henderson. Everyone enjoys a good party and the ancient Egyptians were no different. This ayschool will look at aspects of their celebrations; from food, drink, party outfits, the excesses and the reason for these celebrations.This course aims to introduce the students to a social aspect of the ancient Egyptians. During the day we will examine the visual and textual evidence in order to identify the requirements for a celebration and the reason for it. The topics covered will include: the types of food and drink which were consumed, the style of the party outfits of the host/hostess and their guests and the reasons for holding a celebration. Location : Reading RISC. Date: 10 July 2010. For booking arrangements see: www.tvaes.org.uk
Thames Valley Ancient Egypt Society- three evening classes

Egypt’s Black Pharoah’s. Paul Whelan. (Gained a degree in Ancient History and Egyptology and a Masters in Egyptian Archaeology at University College London. He lectures in Egyptology and Near Eastern History for various institutions and societies.) Nubia was Egypt's southern neighbour and traditionally exploited for exotic goods, the finest stone and, most importantly, gold. In the 8th century BC Nubian kings succeeded in conquering Egypt and heralded a renaissance of monumental building and the finest art.  This course aims to reveal the history and culture of the Nubian 25th Dynasty through the surviving archaeological and textual record.  Location: Reading RISC. Date: From 05 Oct 2009 Ten Mons 7.30->9.30. For booking arrangements see: www.tvaes.org.uk

Art in Ancient Egypt. Charlotte Booth (a freelance Egyptologist with a BA and MA in Egyptian Archaeology from University College London).  This 10 class course will introduce you to the art of the ancient Egyptians, enabling you to identify characteristics and themes of tomb, temple art and private art giving you the wherewithal to date statues and paintings to the reigns of particular kings. By the end of the course you will be able to read Egyptian images and statues and look at familiar objects in a new light. Location: Reading RISC. Date: From 11 Jan 2010. Ten Mons 7.15->9.15. For booking arrangements see: www.tvaes.org.uk

Great Egyptologists. Rosalind Janssen. (Senior Honorary Research Fellow, UCL Collections, University College London. She was previously Lecturer in Egyptology and before that a curator at the Petrie Museum of Egyptian Archaeology, UCL. She now teaches Egyptology for Birkbeck, Oxford, and the WEA.) This course aims to increase awareness of the development of Egyptology through an introduction to great archaeologists, philologists, and travellers. We begin with Herodotus and other Classical writers, plus the Shelley connection. The Medieval Arab scholars: did they discover the key to hieroglyphs? Subsequent highlights of the course include the following. Carving up the Nile post-Napoleon: decipherers, diplomats, adventurers and early Egyptologists. Emerging Egyptology: Lepsius, Mariette and Maspero, and the paintings of David Roberts. 'Father of Pots' and 'Father of Skulls': Petrie and Budge. Great Twentieth Century Projects: the contribution of German, British, and Dutch Egyptologists. Great Discoveries: the work of Breasted, Reisner, Carter, and Schiaparelli. Women Egyptologists: Amelia Edwards, Mary Brodrick, and Natacha Rambova. Archaeology at Amarna and philology at Deir el-Medina: Pendlebury and Černý. We conclude with Twenty-First Century Egyptology and the potential use of archival and oral reminiscences in reconstructing a history of the discipline. Location: Reading RISC. Date: From 11 Jan 2010. Seven Mons (excl BHs) 7.00->9.30. For booking arrangements see: www.tvaes.org.uk

Val Pretlove- City of London 1901-1939
This course will continue Val’s study of the City of London. Winter term 2009. Location tba (perhaps the Reading University museum of English rural life in Redlands Road). More information from (spelled out) katrina underscore parker18  at hotmail dot com.
Dr Wendy Bird - History of Art

Wendy is interested in offering a course, probably in summer 2010. She specialises is Spanish art and the long 18th century, optical devices and study tours. She may also offer Saturday schools. Venue to be decided. Email (spelled out) bird dot wendy at btinternet dot com


British Library

British Library Entrance